ARTIST BIO
Diana Bahr
Artist Statement →
Traces
No contact without a trace: what do we inherit, and what do we leave behind?
Through my Traces series (what I call ‘mixed-media memories’), I create encaustic collages that explore ancestry and memory, asking: What do we inherit, and what do we leave behind? Using family and found photographs, vintage ephemera, gold foil, and layers of encaustic wax on wood panels, I preserve and reveal fragments of the past. Each layer is fused with heat and can be carved back to uncover earlier histories. This process mirrors memory itself (fragmented, reshaped, and never entirely fixed), inviting viewers to reflect on how memories endure (even as their origins fade) and the impressions we leave on one another.
About Encaustic and My Technique
Encaustic is a 2000-year old painting technique using melted beeswax (often mixed with pigment), that means ‘to burn in.’ I embed antique/vintage paper, photographs, and other ephemera in between layers of wax, fusing (‘burning in’) each layer with a torch, hot air gun or iron (creating different surface textures). As the wax solidifies, I can scrape and carve into it or build it up. Finally, I add gold foil, paint or other elements to create an image that tells a story.
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